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Saturday July 1st
Dana and Susan Robinson are two guitar-playing, banjo-frailing, fiddle-sawing, and harmony-singing interpreters of the American experience. Their unique blend of contemporary songwriting and traditional Appalachian music bring to their performances a deep understanding of Americas musical heritage.
The genius of a Dana and Susan Robinson performance lies in their ability to capture the imagination of their audience, evoking a transformative experience that touches on the deepest humanity. They can make the audience howl with laughter or hush with poignant reflection as they take them on a journey across America and convey the mystery and wonder of the places they visit.
"Many songwriters have been heralded as modern day Woody Guthries or keepers of the American rural spirit, but that mantle might be better entrusted to musicians like Dana Robinson who embody both the heart and the soul of folk music."
- Dirty Linen
Dana and Susan Robinson at BeeHive Productions Studios
Saturday September 2nd
A bold new sound has emerged in New England’s traditional music scene: The Press Gang fuses the talents of squeezebox player Christian “Junior” Stevens, fiddler Alden Robinson, flute-player and vocalist Hanz Araki, and guitarist Owen Marshall into a high-octane musical partnership. The quartet blends their skill and fluency in traditional Irish music with their curiosity and aptitude for other styles. The joy that these musicians pour into playing music together is unmistakable and infectious. The result is a unique sound; at once energetic and sensitive, innovative and reverent.
“An Irish music phenomenon in America”— Irish Music Magazine
“One of those rare bands that are ingenious, driving, thoughtful and yet have great respect for the tradition.”— John Doyle
“Not unlike new-grass pioneer Nickel Creek’s self-titled debut in that it takes refuge in a tradition, but uses that context to shine.”— The Portland Press Herald
Saturday October 7th
Hailed by fiddler Darol Anger “one of my favorite musicians on earth”, the CBC-Newfoundlad as “one of the best mandolinists of his generation” and by Nashville’s Music Row Magazine for his “lickety-split mandolin work”, Portland, Maine-based Joe K. Walsh is known for his beautiful writing and his exceptional tone and taste.
His collaborations with acoustic music luminaries including fiddler Darol Anger, flatpick guitar hero Scott Nygaard, folk star Jonathan Edwards, and pop/grass darlings Joy Kills Sorrow have taken him all over the global and musical map. He’s played with everyone from John Scofield to Bela Fleck to Emmylou Harris, and performed everywhere from festivals to laundromats to Nashville’s Ryman Auditorium. After a number of award-winning years as mandolinist with bluegrass stars the Gibson Brothers,
Joe currently splits his time between an inventive string band called Mr Sun (featuring Darol Anger, Grant Gordy and Ethan Jodziewicz) a duo with Grant Gordy, and his own Joe K. Walsh Band. An avid edcator, Joe is a mandolin instructor at the Berklee College of Music.
Saturday November 4th
Hollar General plays there own brand of acoustic music. The song based quartentet infuses improvisation and subtle but complex rhythms into Chorney’s book of sometimes ethereal, sometimes driving songs. Guitarist and vocalist Michael Chorney, bassist Robinson Morse and drummer Geza Carr have worked together for years. They are the foundation of the Hadestown Orchestra, the touring group that performs Chorney’s and Anais Mitchell collaboration "Hadestown”.
The addition of pedal steel player Brett Lanier and Dan Davine on vibes provides the perfect compliment both in sound and in musical personality to the road-seasoned trio. In addition to Chorney’s songs Hollar General plays unique renditions of works by Tennessee Williams, Sun Ra and other unlikely sources. “Magic” - Matt Bushlow, Seven Days
The orchestrations are simultaneously rich and spare, deftly echoing the sounds of traditional folk music while also having an indie-pop flair. -New York Times
A shifting landscape of styles and sounds, from orchestral indie folk to mountain music to avant-garde jazz, melding together brilliantly and beautifully. -Seven Days, Vermont
Saturday December 2
DaddyLongLegs is the confluence of three well known Vermont musicians – Rick Ceballos, David Gusakov and Matt Witten –
whose talents merge to form a dynamic and highly original trad folk trio. Along with interesting settings of Celtic and old-time tunes, the band also explores genres not common to the fiddle-banjo repertoire including 1930’s jazz standards, Galician airs, 16th-century dance tunes and 19th-century Americana. Playing fiddle, viola, banjo, gourd banjo, piano, guitar, percussion and vocals, DaddyLongLegs creates vibrant, sensitive and surprising 21st century folk music.
Saturday Jan 6th 2018
Saturday February 3rd
Saturday March 3rd
Saturday April 7th
Jean Rohe and Liam Robinson met a decade ago through their love of participatory music-making and American folk song. Their original repertoire is inspired by the traditions they hold dear and features carefully crafted lyrics, elegant vocal harmonies, and detailed arrangements for guitar, banjo, and accordion.
Acclaimed songwriters and performers in their own rights, they bring with them a wealth of creative experience. Liam was a cast member in the Tony Award-winning play, “Warhorse” and recently music directed the hit Off-Broadway folk opera “Hadestown” by songwriter Anaïs Mitchell. He routinely tours and records with the Becca Stevens Band.
Jean Rohe’s songwriting has won accolades from the Independent Music Awards, ASCAP, and the Montreux Jazz Festival vocal contest. Her song, “National Anthem: Arise! Arise!” has been performed and recorded by artists across the country and was published in the latest edition of the popular songbook Rise Up Singing. Jean was a Troubadour finalist at the 2016 Telluride Bluegrass Festival.