Scroll down for upcoming shows!
Saturday April 7th
Jean Rohe and Liam Robinson met a decade ago through their love of participatory music-making and American folk song. Their original repertoire is inspired by the traditions they hold dear and features carefully crafted lyrics, elegant vocal harmonies, and detailed arrangements for guitar, banjo, and accordion.
Acclaimed songwriters and performers in their own rights, they bring with them a wealth of creative experience. Liam was a cast member in the Tony Award-winning play, “Warhorse” and recently music directed the hit Off-Broadway folk opera “Hadestown” by songwriter Anaïs Mitchell. He routinely tours and records with the Becca Stevens Band.
Jean Rohe’s songwriting has won accolades from the Independent Music Awards, ASCAP, and the Montreux Jazz Festival vocal contest. Her song, “National Anthem: Arise! Arise!” has been performed and recorded by artists across the country and was published in the latest edition of the popular songbook Rise Up Singing. Jean was a Troubadour finalist at the 2016 Telluride Bluegrass Festival.
Saturday May 5th
CD Release Concert
Full band show with special guests!
Vermont-based acoustic duo that performs primarily original music with a clear traditional-roots influence. They've been known for strong, imaginative vocals and harmonies, often compared to classic sibling harmony duos. Ruane provides an inventive instrumental backing on guitars, octave mandolin and ukulele.
They have toured throughout New England and beyond, appeared in the Falcon Ridge Folk Festival's Emerging Artist Showcase, on Folkstage on WMFT, Chicago, Illinois, on Bound for Glory on WVBR, Ithaca, New York, and at Caffè Lena in Saratoga Springs, New York.
Richard Ruane’s songwriting has received wide recognition. He has been a finalist or award-winner at the Kerrville Folk Festival New Folk Competition, the Great Waters Music Festival Songwriter Contest, the Plowshares Coffeehouse Singer-Songwriter Competition, the Mid-Atlantic Song Contest and the SolarFest Songwriter Showcase.
Ruane is adept at the fine art of storytelling put to song. His originals speak to different shades of love, joy, mystery and real life. Terry Lickona - producer of Austin City Limits
Ruane is a talented storyteller, painting whole scenes with his lyrics. Duquette has a lovely voice, and her soulfulness shines through. Robert Resnik – Vermont’s Seven Days
Duquette’s and Ruane’s voices weave delightfully through each other and the music. Herb van der Poll - Vermont's Seven Days
Saturday June 2nd
The Heather Pierson Acoustic Trio features Shawn Nadeau on upright bass and Davy Sturtevant on, as Heather often puts it from stage, "everything else" - guitar, mandolin, dobro, fiddle, cornet. Originally hailing from Erie, PA, Davy Sturtevant is a veteran touring artist, producer, engineer, songwriter, and performer who now makes his home in Lovell, ME. Armed with a gorgeous tenor voice and a mighty arsenal of instruments ranging from dobro to fiddle to cornet that come to life in his capable hands, Davy is at once a witty, thoughtful, and engaging stage presence. New Hampshire native Shawn Nadeau brings a rock solid thump and nearly two decades of performing experience to the trio, informed by a wide spectrum of unique rhythmic and melodic sensibilities ranging from rockabilly to reggae to jazz. In their able hands, these three veteran musicians have catapulted Heather's live performances of her deep well of Americana originals - folk, jazz, blues - with intricate instrumental arrangements and stirring three-part vocal harmonies. The trio’s debut EP, Still She Will Fly, was released in May 2015. Its title track was the #2 single on the Folk radio charts for the year in 2015, and three other songs were also in the Top 100 singles on Folk radio that same year. The trio’s full-length debut, Singin’, releases on June 30, 2017, the tenth release on Heather’s own record label, Vessel Recordings. Singin’ is a document of ten originals and two classics, spanning from the streets of New Orleans to the valleys of Appalachia.
Throughout her colorful career, her eclectic skill set continues to propel her onto concert hall stages and into barrooms, coffeehouses, resort hotels, living rooms and churches. With over 200 shows a year in venues all over the United States, her nearly non-stop performance schedule speaks of her tireless work ethic and endless devotion to her craft. Defying genre and classification and yet fully embracing all musical styles, Heather is an artist who speaks the language of music in as many dialects as her abilities will allow. Her life’s work, she says, is to share her love of music and of life with others – one song, one heart, one mind at a time.
"[Heather] has created a new trio that embraces Americana styles and gives it a new perspective. Blending jazz, folk, blues with three part harmonies and stellar instrumentals, this band turns heads!"
Ron Olesko | Sing Out! Magazine | WFDU
"She killed it in a New Orleans style jazzy blues that didn't seem to be able to come from such a youthful reserved woman!"
Eddie "Edge" Ferranti | HoustonMusicReview.com
“There's a real pureness to her voice as she leads us through intimate corners of her experiences and tells stories with a Joni Mitchell kind of edge… Her hands float on and above the piano keys with the ease of a longtime player; it's as if it's as second nature as breathing.”
Aimsel Ponti | Portland Press Herald
"Heather is like two great acts in one, sliding from sweet acoustic Appalachian old-timey vibe with Patty Griffinesque lyrics to brassy New Orleans blues piano with a bone thrown to Bessie Smith."
DC Bloom | Lone Star Music Magazine
Saturday July 7th
Vermont’s Addison County group Va-et-vient (‘Come & Go’) celebrates the many colors found in music from several French cultures. These musiciennes will take you from 16th century France to New Orleans and Québec with lively dance numbers, touching love songs, kickin’ Cajun tunes, and rollicking Québecois favorites. From neighbors to the north, they bring back new old tunes learned from Québecois elders (and youngsters!), reweave them into their own arrangements, and have been spreading them throughout New England and Québec since 2001.
No coffee house in August
Saturday Sept. 1
Though each member of Night Tree originates from a different musical world, the six members have come together to a create a new sound that is unique to their instrumentation and musical voice, both attracting and bewildering enthusiastic crowds while connecting folk music lovers, café radio junkies, jazz enthusiasts, free-improvisers, and beyond.
These six conservatory-trained musicians have absorbed genres from across the globe. Night Tree is unique, not only for its abnormal instrumentation of two fiddles, cello, accordion, saxophone, percussion, and the occasional viola and mandolin, but for their collective representation and incorporation of traditions from Irish, Classical, Swedish, Jazz, Klezmer, and Afro-Cuban music. Each artist’s personality is given a spot to emerge with fiery improvisation, individual compositions, and a pristine ear. The band thrives on playing in darkness as to allow themselves the opportunity to solely listen with the absence of any possible visual distractions. They react to each other at any given time, in a matter of seconds. They have learned to get inside each other’s musical minds, creating one blossoming and unpredictable wave of sound that is Night Tree.
“I’m thrilled to have been part of this brilliant young band’s debut album. They play with such spark and musicality. Thoughtful compositions, precise, inventive arrangements. An absolute joy. Go hear them!” -Séamus Egan, founding member of SOLAS and Night Tree producer
Saturday Oct 6
Drawing upon experiences of more than twenty years of touring, Dana and Susan craft a performance that conveys the mystery and wonders of their journey. Their unique blend of original songwriting and traditional Appalachian music, bring to their performances a deep understanding of America’s musical heritage, and how it relates to our contemporary lives.
A native of the Pacific Northwest, Dana relocated to New England where he discovered both a thriving songwriters scene and the deep well of traditional mountain music. In the early 1980s, Dana settled in northern Vermont and built a house “off the grid” on 30 acres near the Canadian border. There he founded a popular bakery, café and music venue. Dana launched into full-time touring after the release of his 1994 debut CD, Elemental Lullabye, and after receiving a request to perform at Carnegie Hall in New York City for Putumayo’s Shelter benefit project.
"Exquisite music - physical and spiritual, contemporary and ancient, up to its eyeballs in mud and transcendence. Musicians like Dana Robinson don't grow on trees!" — Music Upstream
“Rural America explored with elegant simplicity. Their music and cleanly poetic songwriting bring to mind the great folksingers of our times.” - Asheville Citizen-Times